The MiniMad uses an RPI 2 which does not have built in Wi-Fi like the 3 and 4, but you can hook it up to a wireless device to change that. If you have a MiniMad, you can always swap out the Micro SD card for another one. If you’re a Madmapper user, I recommend you look into the MiniMad. And if you connect a camera to the Pi, you can always use it as a network camera with a little configuration! You can learn more about some of these tools from this article here: Projection Mapping with the Raspberry Pi. A Raspberry Pi, HDMI cable, and a USB power supply, plus a few different Micro SD cards and you have a swiss army knife for visuals. We can’t all afford (or want) to haul a backup laptop with us for every show, but you can carry my favorite backup VJ tool ever! - A Raspberry Pi (v2, or 3 sorry I don’t have any experience with the RPI 4’s). Backup Hardware! Media Players, Raspberry Pis, Recorders. Test your gear and push it to the extreme! That and always have a backup.ģ. I’ve watched multiple VJs introduce a new HDMI dongle, HDMI mixer, or HDMI preview monitor to their setup days before a show only to watch them drop signal throughout their show and lose connection with the projector (which would then reconnect, but the screen would turn “No Signal” blue or black for a few seconds every couple of minutes). I had a Samson midi controller go to sleep on me during a performance, which had me scrambling through their awful user manual PDF on my phone trying to figure out how to “wake it up” without ruining the performance mid-way through. A few examples of this: I’ve seen external SSDs overheat and fail (I’m not saying which brand, but they weren’t cheap). If you don’t have time to test it fully, don’t add it to your setup. Whether it’s learning a new midi controller, or breaking in a new hard drive with thorough testing. Sometimes adding gear might seem like a dream come true, but I’ve seen it turn into a living nightmare for other VJs and video professionals. You need time to learn and troubleshoot your hardware. Take this with a gain of salt, but this pre-caution comes from my experience in film and video production. Hardware Tip: No new gear for a new show. I had a USB SSD that I could boot from without upgrading my MacBook Pro or partitioning my internal boot drive. On another occasion, I needed to roll forward my OS version to interface with some recent software updates. We fixed a few disk utility settings, and they were back up and running with their show computer. I was once in Boston and an hour before a show, the DJ’s computer crashed, and one of my bootable thumb drives saved the day. If you can, I recommend picking up a few USB thumb drives with decent read/write speeds, and then loading bootable versions of Mac OSX onto them as recovery drives. That being said, always carry a clear garbage bag with you! Whether you have to wear it as a poncho, pop it over your suitcase when running through a storm, or cover your laptop, a clear plastic bag will allow you to see your laptop screen even if all hell breaks loose. If you’re working on a crazy punk show with drinks flying all over, a silicone keyboard cover might save your life. And if it’s a laptop (MacBook Pro, PC, whatever) I definitely recommend some sort of case with protection. Computer Protection! - A bumper case and a clear garbage bag. But to me, the exterior problems presented by the island itself are NOTHING compared to the INTERNAL problems the characters must face, both with themselves and with each other. Yes, a sense of dread often hangs thick in the air. After living together for a long time, the characters are going to find out it's impossible to keep their pasts a secret. On "Lost," you have a group of fascinatingly different, tragically flawed characters who must somehow learn to survive together, while at the same time trying to keep their secrets hidden. This isn't "CSI" or "Law and Order," where each week is a variation on the same theme. "Lost," unlike many shows today where the plot drives the characters, is in fact the opposite: the characters drive the plot. How many story lines can you POSSIBLY take from that before the idea's been sapped completely dry? It's a legitimate concern, but in the case of "Lost," totally unwarranted. At first blush, "Lost" seems like an impossible concept: a bunch of people stranded on a mysterious island.
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